As momentum continues to build with ‘There’s A God,’ produced by Jeff Pardo, Mary-Clair’s long-awaited video for the track was premiered during New Release, We Love Christian Music Awards Show, on March 22nd. Mary-Clair was also nominated for Best New Artist/Group Song for ‘Your Love.’

Shot in Nashville, the visually stunning yet minimalist performance clip directed by Evan Smith and Duncan Smith shows the singer as her most honest and authentic self. The acoustic-driven ballad has quickly become a fan favorite, earning placements on multiple faith-based playlists across Apple Music, Amazon Music, Spotify and more.

There’s A God – Mary-Clair

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“‘There’s A God‘ is a song for someone who feels stuck or unsure of who they are,” Mary-Clair commented, adding, “it speaks to the quiet questions in the heart, assuring you that you are seen, known, and deeply loved by the Lord. Even in the uncertainty, this song will always remind you that there is a God, He has a plan for your life, and He hasn’t forgotten you!”

‘There’s A God‘ and ‘Falling‘ are among the many highlights found on Mary-Clair’s breakthrough debut album, Enough. Produced by 2x GRAMMY Award-winning producer and songwriter Tedd T (Dolly Parton, for KING & COUNTRY, MercyMe), apart from ‘There’s A God,’ the collection sees the gifted 22-year-old Nashville native forging her own distinctive vision of contemporary Christian pop on such recent hit singles as ‘Red Eye,’ ‘Enough,’ ‘Your Love,’ and ‘Heaven In the Way,’ the latter two joined by official music videos streaming now alongside additional visuals, ‘Story Behind the Song’ videos, and more at the Mary-Clair

“The entire Vere team is thrilled to be a part of the release of Mary-Clair’s debut project, Enough. This has truly been a labor of love, working alongside Mary-Clair’s team of management, producers, and songwriters. The support from the DSP’s, radio, and the press has been a blessing. This record is amazing!,” says Vere Music President and Founder Rusty Harmon.

Nashville native Mary-Clair recently attended the Lionsgate major faith film sequel I Can Only Imagine 2 Nashville premiere and red carpet while ‘There’s A God‘ continues its streaming ascent. The gifted singer/songwriter is portrayed in the movie by her sister Ruthie Brickell, holding a deeply personal connection to the project, and adding an intimate and heartfelt layer to the story behind one of contemporary Christian music’s most beloved anthems.

“I am so proud of my dad and all of my dear friends in the MercyMe family for the hard work and honesty they put into this film. It’s a true story of balancing hard times and blessings and learning how to find peace in both. I hope you can find time to go see this movie in theaters… and you might hear my name mentioned in a scene!” said Mary-Clair.

Recently gracing the debut cover of BREAKOUT Magazine, a new digital publication spotlighting indie and emerging Christian artists, Mary-Clair continues to make waves across the music landscape. Her growing profile includes features on the popular Shawna and LaLa: Life Beyond the Mic podcast, as well as an appearance on WSMV’s Today in Nashville, where she performed the uplifting Enough standout, ‘There’s A God‘.

Plus recent and ongoing coverage in multiple media outlets, include THE CHRISTIAN BEAT, KINGDOM BUILDER, JESUS FREAK HIDEOUT, DIVINE MAGAZINE, GODTUBE MUSIC and more.

In addition to the success of her latest album, Mary-Clair has also teamed up with renowned Christian hip-hop artist Tedashii for the powerful collaboration ‘Never Be the Same (Feat. Tedashii),’ further showcasing her versatility and expanding creative reach.

Mary-Clair continues to build her presence as one of contemporary Christian pop’s most promising emerging voices. During GMA Dove Awards Week in Nashville, she was a featured Brickhouse Entertainment showcase performer, further elevating her profile within the industry.

Her live performance resume continues to expand with appearances at Nashville’s renowned writers’ rounds, along with performances of the National Anthem at local and national sporting events.

Independent Christian country artist Daniel Mulkey releases his powerful new single, ‘LONG GONE,’ an anthem of resurrection, identity, and victory rooted in the message of Easter.

Blending contemporary Christian music with southern storytelling, ‘LONG GONE‘ delivers a bold reminder: because Jesus is risen, the old us is gone – and we are made new. With a driving sound and unmistakable conviction, Mulkey captures the moment at the empty tomb from a fresh perspective – not just what happened, but what it means for us today.

Daniel Mulkey Releases ‘LONG GONE’, A Bold Christian Country Anthem Declaring the Grave Is Empty

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“I’ve always wanted to write an Easter song, but from a different angle,” says Mulkey. “I kept thinking about what it would’ve been like to be there at the tomb. If I were the one telling them, I wouldn’t overcomplicate it – I’d just say… you won’t find Him in the grave – He’s LONG GONE.”

Produced by Alex Jordan (The Jordan Family Band), the track carries a modern Christian country sound while highlighting Mulkey’s raw vocal delivery and message-driven songwriting. The release is accompanied by a lyric video now live on YouTube, giving listeners a visual experience of the song’s central message.

At its core, ‘LONG GONE‘ is more than a resurrection song – it’s a declaration of transformation:
Because He walked out of the grave… the old you doesn’t have to walk back into it.

With Easter at the center of its message, ‘LONG GONE‘ invites listeners to not only celebrate what Jesus did – but to live in the freedom it brings.

World-renowned producer and composer Tommee Profitt has joined forces with breakout vocal powerhouse Jamie MacDonald to release “We Turn Our Eyes,” a breathtaking reimagining of the classic hymn “Turn Your Eyes Upon Jesus.” The track serves as a centerpiece for Profitt’s highly anticipated cinematic album, The Resurrection of a King, which debuted this week.

“We Turn Our Eyes” stays true to Profitt’s signature “epic” production style—blending lush orchestral arrangements, haunting piano melodies, and high-stakes percussion—while MacDonald’s soul-stirring vocals provide a vulnerable, yet triumphant anchor. The song transforms the traditional hymn into a modern anthem of surrender, emphasizing the peace found when shifting focus from the chaos of the world to the “wonderful face” of Christ.

We Turn Our Eyes – Tommee Profitt Ft. Jamie MacDonald

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Philippa Hanna and esteemed global worship leader Israel Houghton have already released two singles in the lead up to her May album, both charting in the new UK Christian and Gospel Singles Chart.

This next song Citizen is highly anticipated as they come together with renowned artist Moses Bliss. Moses is a Nigerian gospel singer, worship leader and songwriter with a vast following. Over 1.8M on YouTube, 2.2M on Instagram and 1.2M on Spotify.

Citizen – Philippa Hanna

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Citizen unites Philippa Hanna, Israel Houghton and Moses Bliss in a joyful, cross-cultural song of worship declaring our heavenly identity. Celebrating belonging in the family of God, the track blends worship with a spontaneous African praise medley led by Moses. Philippa’s hope is that people in every corner of the globe would recognise we belonging to the family of God and find our true citizenship in heaven.

With “The Horizon,” Eleyet McConnell offer more than a song—they offer a message rooted in perseverance, faith, and the quiet assurance that even in life’s darkest moments, God is still at work. While not explicitly labeled as a Christian track, its themes of endurance and hope echo deeply with spiritual truth.

From the opening lines, the song places listeners in a moment of uncertainty—standing at the edge of something unknown, watching storms gather in the distance. Angie McConnell’s vocal performance carries a sense of both vulnerability and resolve, reflecting the emotional tension many believers know well: trusting God even when the path ahead is unclear. Her delivery feels honest and unguarded, like a prayer spoken in the middle of the night.

The central message of “The Horizon”—pressing forward despite fear—aligns beautifully with scripture. Proverbs 3:5 reminds us to “trust in the Lord with all your heart and lean not on your own understanding.” That sentiment is woven throughout the song, especially in its imagery of breaking through the storm to find the sun. It’s a powerful metaphor for faith: believing in God’s promises even when circumstances suggest otherwise.

“The Horizon”: Eleyet McConnell’s Song of Faith Beyond the Storm

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Musically, the track supports this message with a steady, uplifting build. Chris McConnell’s bass work adds warmth and movement, almost like a guiding hand leading the listener forward. The arrangement never overwhelms, instead allowing space for reflection—something often missing in today’s fast-paced music landscape. That space invites listeners to not just hear the song, but to internalize its message.

What stands out most is the sense of surrender embedded within the lyrics. This is not a song about controlling outcomes or forcing change. It’s about releasing fear and trusting that God’s plan is greater than our own. Lines that speak of moving forward, even when the outcome is uncertain, mirror the Christian walk—one step at a time, guided by faith rather than sight.

There is also an undercurrent of encouragement here. “The Horizon” reminds listeners that storms are temporary, that trials serve a purpose, and that God’s light is always waiting beyond the clouds. It speaks to anyone who has felt overwhelmed, weary, or unsure—and gently points them toward hope.

In a world filled with noise and distraction, Eleyet McConnell have created something meaningful and reflective. “The Horizon” doesn’t preach, but it resonates with truth. It’s a reminder that even when we cannot see what lies ahead, we can trust the One who does.

Ultimately, this is a song for anyone walking through uncertainty—a musical reminder to keep going, keep believing, and keep your eyes fixed on the horizon, where faith meets promise.

–Chris Beck

There’s a certain honesty in Just Before Dawn by Midnight Sky that resonates deeply from a Christian perspective—not because it is overtly worshipful, but because it reflects the real, often messy journey of the human heart searching for peace, purpose, and redemption. Led by songwriter Tim Tye, this album feels like a series of late-night prayers—some whispered in hope, others spoken through struggle.

From the opening track, “Only the Moon is Blue,” there is a sense of longing that many believers will recognize—the desire for connection, love, and reassurance in the stillness. It sets the tone for an album that leans into vulnerability rather than avoiding it. In many ways, these songs echo the Psalms, where joy, doubt, fear, and faith all coexist.

“Dark Stretch of Road” stands out as a powerful metaphor for spiritual trials. The imagery of an endless highway, uncertainty, and isolation mirrors the seasons in life when God feels distant and the path forward unclear. Yet, even in that darkness, there is an unspoken thread of perseverance—a reminder that we are never truly alone, even when it feels that way. It’s the kind of song that quietly points to faith without needing to name it outright.

At the heart of the album is “Hearts Are Wild,” a song about risk and surrender. While framed through the language of love and chance, it reflects a deeper truth: giving your heart fully—whether to another person or to God—requires trust beyond logic. That willingness to go “all in” echoes the call to faith, where certainty is not always guaranteed, but commitment is essential.

Finding Light Before Sunrise: Midnight Sky’s Just Before Dawn Reflects Faith in Life’s Quiet Battles

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The album’s emotional center may be found in songs like “The Hurting Stops Here,” which offers a message of healing and restoration. It speaks to the redemptive power of love, something central to the Christian message. Similarly, “I Will Break Your Heart” carries the weight of confession, acknowledging human brokenness and the consequences of past choices—yet it also opens the door to grace.

There are also moments of joy and celebration woven throughout. “442” captures the freedom and exhilaration of life’s simple pleasures, while “Dockside Jump” brings a lighthearted energy that reminds listeners that faith is not only about solemn reflection, but also about living fully and gratefully.

Perhaps the most overtly spiritual message comes in “Straight at the Sun,” which challenges listeners to seek truth even when it’s uncomfortable. Lines about being “burned to see through the lies” echo the refining process described in Scripture—where trials reveal truth and strengthen faith.

The album closes with “I’ll Be There for You,” a gentle but powerful promise that can be heard both as human reassurance and as a reflection of God’s enduring presence. It’s a fitting ending for a record that ultimately points toward hope, even in uncertainty.

Just Before Dawn may not be labeled as a Christian album, but its themes of redemption, perseverance, and unconditional love align closely with the heart of the Gospel. It reminds us that faith is often found not in the loudest moments, but in the quiet hours—just before the light breaks through.

–Chris Beck

ARGYRO’s “The Phenomenon” is, on the surface, a bold and energetic anthem of self-confidence — a song that celebrates individuality, ambition, and stepping into the spotlight. From a Christian perspective, however, it invites a deeper reflection on the balance between personal identity and spiritual humility.

Musically, the track is undeniably engaging. Driven by a tight, propulsive rhythm and layered with shimmering guitars and synth textures, “The Phenomenon” has a polished, modern rock sound that captures attention immediately.

The chant-like chorus — “Whoo-hoo… here comes the phenomenon” — is infectious and designed for participation, creating a sense of unity and shared energy. There is joy in that kind of collective experience, something that can be seen as a reflection of our God-given desire for connection and celebration.

Lyrically, the song centers on self-elevation. Lines like “I fly high like an airplane” and “Lit up, I shine, all the stars re-align” portray a persona that is confident, even larger-than-life. In today’s culture, messages of self-worth and belief in one’s abilities are common and often necessary. Scripture reminds us that we are “fearfully and wonderfully made” (Psalm 139:14), and there is nothing inherently wrong with recognizing the gifts God has given us.

However, “The Phenomenon” leans heavily into self-glorification, presenting an identity that seems rooted primarily in personal power and recognition. From a Christian standpoint, this raises an important contrast.

While the world often encourages us to elevate ourselves, the teachings of Christ call us toward humility, service, and giving glory to God rather than ourselves. As Proverbs 16:18 warns, “Pride goes before destruction, a haughty spirit before a fall.”

Shining in the Spotlight: ARGYRO’s “The Phenomenon” and the Tension Between Self and Spirit

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That said, the song can also be interpreted metaphorically. Rather than viewing “the phenomenon” as a literal claim of superiority, listeners might hear it as a symbolic expression of stepping into one’s purpose — embracing the unique calling placed on each life. When understood this way, the message shifts from self-centered pride to a celebration of identity, which can align with faith when grounded in gratitude and acknowledgment of God’s role in that identity.

The inclusion of guest rapper Troof adds a contrasting texture, bringing a grounded intensity that balances the song’s polished confidence. It serves as a reminder that life is not solely about shining, but also about navigating challenges and staying rooted.

Ultimately, “The Phenomenon” reflects the tension many believers experience in a culture that celebrates self-promotion. It is an opportunity to consider where our identity truly comes from. Are we seeking recognition for ourselves, or are we using our gifts to reflect something greater?

ARGYRO’s track may not explicitly point to faith, but it opens the door for meaningful reflection. In a world full of noise and self-declaration, perhaps the greatest “phenomenon” is a life that shines not for its own glory, but as a reflection of God’s light.

–Chris Beck

US-based Nigerian Afro-Gospel artist Inspired Franklin has released his brand-new single Turn Up, featuring energetic gospel minister Testimony Jaga.

“Turn Up” is a vibrant, high-energy anthem that celebrates the power, faithfulness, and reality of Jesus Christ. Blending Afrobeat rhythms with bold declarations of faith, the song carries a strong message of testimony and gratitude, with standout lines like “I can testify, Jesus no be scam… there is nothing He cannot do.”

The track reflects a journey of transformation and grace, highlighting God’s blessings and the joy of salvation, while calling listeners to openly celebrate their faith. With its infectious sound and chant-worthy hook “Turn up for Jesus, He’s the reason I live,” the song is positioned to resonate widely across gospel and youth audiences.

Inspired Franklin Releases High-Energy Anthem “Turn Up” Featuring Testimony Jaga

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UK-based gospel artist Tito Austen has released a powerful new Afrogospel single titled Top of the World, a deeply reflective track that captures the journey from pain and struggle to victory through faith in God.

Known for his unique ability to blend multiple musical genres while remaining firmly rooted in his Christian faith, Tito Austen continues to represent a new wave of gospel artists redefining contemporary gospel sound. His music bridges the gap between traditional gospel and modern influences, creating relatable and spiritually uplifting experiences for a diverse audience.

“Top of the World” tells a compelling story of resilience, highlighting moments of hardship, doubt, and perseverance. Through honest lyrics and emotive delivery, the song reflects real-life struggles—nights of pain, seasons of uncertainty, and moments when everything seemed to fall apart. Yet, at its core, the track is a triumphant declaration of God’s faithfulness.

Tito Austen Releases “Top of the World”, Inspiring Afrogospel Song of Victory and Faith

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With powerful lines like “Man I’ve seen so many things, felt so many pains, cried so many nights… but right now, I’m on top of the world,” Tito Austen emphasizes a transformation that can only be attributed to divine grace. The recurring affirmation “All glory to God… Omo na God dey do am” reinforces the central message: victory is not by human strength, but by God alone.

The song also carries a strong message of hope for listeners navigating difficult seasons, reminding them that even in the face of struggles, they are not alone. With references to personal battles and unwavering faith, Tito highlights the sustaining presence of Jesus as the anchor through life’s toughest moments.

Tito Austen began his formal music journey at Igbinedion University, where he performed with the university music band. A notable early milestone in his career was leading performances during the honorary degree ceremony for Nigerian music icon Innocent Idibia in 2016.

He made his official debut in 2018 with the release of “Otitodilichukwu,” followed by “Ba Wani Kamar Kai” in 2019, steadily building a catalog that reflects both artistic versatility and spiritual depth.

With “Top of the World,” Tito Austen delivers more than just a song—it is a testimony of survival, growth, and gratitude. The track stands as an anthem for anyone who has endured hardship and emerged stronger through faith.

The Slower I Go returns with their newest worship single, “Holy Sanctuary,” a reverent and heartfelt song centered on surrender and encountering God’s presence. Built around a simple yet powerful prayer–“Come through, come through, come through”–the track captures the moment when believers step into God’s presence with open hands and honest hearts, longing for Him to move.

Written by Logan Murph, Brooklyn Summer, and Noah Priebe, “Holy Sanctuary” is both intimate and expectant. The song reflects the humility of approaching God’s holiness while inviting the Holy Spirit to renew, restore, and breathe new life.

Anchored in themes of surrender and devotion, the lyrics create space for quiet reflection while building toward a hopeful declaration that where the Spirit of the Lord is present, salvation and freedom are always near.

Musically, the single blends modern worship textures with the band’s signature vocal-driven approach, building into a reflective atmosphere well-suited for moments of personal devotion and youth-focused worship gatherings alike. With its contemplative tone and prayerful lyricism, “Holy Sanctuary” naturally fits playlists focused on Awe and Inspired, Freedom In Christ, and Youth Worship, offering listeners a space to slow down and reconnect with God.

The Slower I Go formed when the Lord brought its members together as friends who shared a passion for worship and songwriting. What began as time spent turning Scripture into song gradually grew into a ministry rooted in faith and friendship.

The Slower I Go Releases New Worship Single “Holy Sanctuary”

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The band–Noah Priebe, Brooklyn Summer, Dacey Lane, and Logan York–each contributes their vocal talents and instrumental skills, adding depth and texture to their sound. Together they create worship music shaped by Scripture, honest devotion, and a desire to point listeners back to Christ.

Following the encouraging response to their first three singles–”All Or Nothing,” “What Kind Of Friend?” and “THE ROOM“–the band continues to build momentum as they approach 60,000 streams across Spotify and Apple Music.

Rooted in Hosea 6:6–“For I delight in loyalty rather than sacrifice”–The Slower I Go continues to pursue faithfulness over fame, obedience over recognition, and worship over performance. With “Holy Sanctuary,” the band offers a simple invitation for listeners everywhere: come into God’s presence, surrender everything, and discover the freedom found when His Spirit moves.